Adam Bhala Lough

With Albert Maysles in Winnipeg
The weekend with Al got me so inspired on documentary filmmaking that I feel like my head is about to explode with ideas and motivation. Al dropped too many gems to list but here are a few that I was able to transcribe on my iPhone notepad:

“My goal is for the audience to become friends with the people on the screen.”
“Get close get close!” - a great mantra for documentary filmmaking
On Salesman: “We focused on the man who was least successful as a salesman but most successful as a human being.”
On seeing one of his old films w/ narration: “Narration is only an interference with what’s going on in the mind of the viewer.”
“Time and time again I’ve been in the right place at the right time i attribute it to luck and patience.” 
“There’s something in the nature of documentary, if a director has a poetic eye they can capture the complexity of the scene.” 
“Every documentary no matter what it’s about is an adventure, a discovery.”
On working with subjects - “The gaze is very important, how you look at them in that first moment. Then you follow that up with love.”

With Albert Maysles in Winnipeg

The weekend with Al got me so inspired on documentary filmmaking that I feel like my head is about to explode with ideas and motivation. Al dropped too many gems to list but here are a few that I was able to transcribe on my iPhone notepad:

“My goal is for the audience to become friends with the people on the screen.”

“Get close get close!” - a great mantra for documentary filmmaking

On Salesman: “We focused on the man who was least successful as a salesman but most successful as a human being.”

On seeing one of his old films w/ narration: “Narration is only an interference with what’s going on in the mind of the viewer.”

“Time and time again I’ve been in the right place at the right time i attribute it to luck and patience.” 

“There’s something in the nature of documentary, if a director has a poetic eye they can capture the complexity of the scene.” 

“Every documentary no matter what it’s about is an adventure, a discovery.”

On working with subjects - “The gaze is very important, how you look at them in that first moment. Then you follow that up with love.”